by Paul Keery, illustrated by Michael Wyatt
176 pages, 2012
Half way through Canada at War I realized it was filling in an odd gap in my education. I had read about the Dutch experience of World War II in great kids’ books like Anne de Vries’ Journey through the Night and Piet Prins’ Scout series, and a love of classic war films like Casablanca and Twelve O’Clock High had given me a good sampling of the American perspective. But I don’t know if I've ever seen the war through Canadian eyes.
Canada at War is a “graphic history” - otherwise known as a comic - but it would be a mistake to dismiss this as fluffy kids’ stuff. It is weighty and well-researched and would be best understood as an illustrated history textbook. It includes chapters on:
- Canada before the war
- Canada’s early defeats defending Hong Kong from the Japanese and attacking German-held Dieppe, France
- The creation and impact of Canada’s Air Force
- The Canadian Navy’s seemingly impossible task of protecting the Atlantic supply chain from U-boat attacks
- The costly lessons our Army learned in Sicily and Italy
- The joint invasion of Europe
- The Canadian role in the liberation of the Netherlands and the final defeat of Germany
Cumulatively the pictures are worth many thousands of words. Descriptions can’t quite convey the information available in a picture of a sailor waste deep in water on a leaky Corvette assigned to protect otherwise defenseless supply ships on their way to Britain. There is also a lot packed into a single frame, where we see a bomber pilot relaxing at his home base, happy to have survived another bombing run, but knowing that he has only a 1 in 4 chance of living through to the end of his tour.
The style of the visuals is also striking: it’s a mix of quite realistic computer animation and solid simple lines. Illustrator Michael Wyatt shows us action and lots of it including planes being blown apart and submarines being sunk. Wyatt uses great restraint, showing the results of war - the blood, death and destruction - without dwelling on the gory detail. This bloody detail is most often muted, either by being obscured (often times by making use of silhouette images) or by being skipped right over. For example, in one exchange we see a soldier with blood on his face, but only learn how it happened from the caption. But as should be expected in a “graphic history” or World War II, there are a few “graphic” frames. However, Canada at War is intended for a young adult readership, so these pictures are unlikely to shock them. I've included a few of these frames immediately below this review, so that parents can evaluate them for themselves.
An impacting book, that will give this generation a far better understanding of what their grandparents and great grandparents endured to give them the Canada they see today. You can pick up a copy at Amazon.com by clicking here.
|One of the more graphic frames: the artist uses restraint by making use of silhouettes.|
|Another example: there are several bloody pictures throughout, |
as one might expect in a graphic history of WW II.